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Standing in front of the Museum of Modern Art in New York's Mont Sainte-Victoire, the audience can still feel the trembling power of Cézanne's brushstrokes, this lone innovator spent forty years in the mountains of Provence to complete the revolution of visual cognition, from the geometric deconstruction of still life to the color architecture of landscapes, from the volume reorganization of the human body to the philosophical gaze of existence, each of his works is the key to open the door to modern art, as Roger Frye said in "Cézanne and the Development of His Style": "He taught us to see the world with new eyes." In that apple, we see the order of the universe. This order is not an imitation of nature, but a projection of the artist's mental structure, which is Cézanne's most precious legacy to posterity: art is never about reproducing what the eye sees, but about reconstructing what the mind perceives.
Mont Saint-Victoire (1882-1906): a spiritual schema of the geological landscape On the outskirts of Aix-en-Provence, Cézanne spent more than twenty years depicting the same mountain over and over again, now in a late edition of the Philadelphia Museum of Art, in which the mountain is broken down into intertwined patches of color, the slope of the pine trees in the foreground and the movement of the mountains form a dynamic equilibrium, and the painter abandons the aerial perspective and uses the juxtaposition of warm and cold color blocks to express the depth of space: the collision of ochre and ultramarine produces a trembling light effect, and the transition between olive green and earthy yellow suggests geological changes.
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Cézanne wrote in a letter to Émile Bernard: "Nature always exists within", which is at the heart of Expressionism.

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Cézanne foresaw the departure of modern art from perfect anatomy, and the rustic sense of primitivism in the picture directly influenced Gauguin's Tahitian series, which art critic Clement Greenberg believes marks "the beginning of painting to get rid of literary narratives and return to visual essence".

Cézanne foresaw the departure of modern art from perfect anatomy, and the rustic sense of primitivism in the picture directly influenced Gauguin's Tahitian series, which art critic Clement Greenberg believes marks "the beginning of painting to get rid of literary narratives and return to visual essence".

Friday, May 30, the fourth day of the fifth lunar month, happy work, peace and joy

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